About Susan Werner

Susan Werner’s songs “Chicago Anyday” and “Stay on Your Side of Town” are featured in the musical revue “Chicago Is!: A Hometown Musical Revue.

photo1_fullAt age five, Werner made her debut, playing guitar and singing at St. Mary’s Catholic Church in Manchester, Iowa; she learned both piano and guitar by ear. After earning a degree in voice from the University of Iowa, she attended Temple University in Philadelphia, performing in numerous recitals and operas while completing her graduate studies. On occasion Werner, who calls Chicago home now, still closes any one of the 125 club dates she plays annually throughout the US and Canada with “Un Bel Di” from Madame Butterfly or “Habanera” from Carmen, but ultimately, she opted to forgo a career as an opera singer, dedicating herself to songwriting instead, building a reputation at jazz clubs, coffeehouses, and folk festivals along the Eastern Seaboard. After launching her career with the self-released Midwestern Saturday Night in 1993, her second recording Live at Tin Angel impressed executives at Private Music/BMG, which released her critically acclaimed major label debut Last of the Good Straight Girls in 1995. She also received critical accolades for her subsequent recordings Time Between Trains (VelVel, 1998) and New Non-Fiction (Indie, 2001). She has toured the nation with acts such as Richard Thompson, Keb Mo, and Joan Armatrading, and was featured in a 1998 Peter, Paul, and Mary PBS special as one of the best of the next generation of folk songwriters. Hayseed is the fourth in a series of concept albums, beginning with 2004’s I Can’t Be New, which features original songs in the style of Cole Porter and George Gershwin, followed by The Gospel Truth in 2007 and Classics in 2009 (2011’s country-blues flavored Kicking The Beehive hinted at this turn towards the rural).